ABOUT

Ever since I can remember, I was aware of how light and the weather affected my experiences in nature. When I was 14, my older brother introduced me to nature photography, and I quickly found myself capturing images that expressed my inner perceptions of the landscape. Nature photography, for me, has always been more about expressing something deeper rather than simply capturing a beautiful image. 40 years later, I still feel the same. I want to make images with personal meaning that connect to my viewers.

My work has been featured in national publications, including Outdoor Photographer, and used as background art in multiple television commercials, episodic series, and motion pictures. Thank you for visiting!

Pebble Beach, CA

Pebble Beach, CA

Point Lobos, CA

Point Lobos, CA

Clients

Art For: Licensing - Print Publications - Commercials

Jergens, Esurance, Lexus, AT&T, Kit Kat, Peleton, Subaru, Home Depot, Best Buy, Panera, Intel, Chevrolet, Jeep, Audi, Microsoft, Outdoor Photographer

Art For: TV Series - Motion Picture

ABC Studios: Station 19, Into The Dark, Big Little Lies, Lovestruck, N.C.I.S, 2018-Oscars, Great News, Silicon Valley, Snowfall, Bones, Boomerang, Carmichael Show, Blood and Oil, Last Man on Earth, Stalker

Awards

2021 Outdoor Photographer “American Landscape-finalist” “Big Sur Coastline”

2019 Black & White Spider Awards-” Waterfall Abstract”

2019 Black & White Spider Awards-”Nautilus-Vintage Shell Series”

2017 Black & White Spider Awards- "Maroon Bells"

2017 Black & White Spider Awards- "Maroon Bells"

2016 Outdoor Photographer-"Group of Trees"

2016 Outdoor Photographer-"Lake of the Clouds"

2015 International Color Awards

2015 7th Annual Nature's Color Finalist-Outdoor Photographer

2014 9th Annual Black & White Spider Awards

2013 2nd place "The American Landscape" July OP

2008 International Photography Awards

2007 International Photography Awards

2005 International Photography Awards

"The creative photographer comes across something that excites him emotionally, spiritually, aesthetically, and then gives the view a print that is the equivalent of that." Stieglitz